Yiding Zhang https://yidingzhang.cargo.site Yiding Zhang Fri, 13 Feb 2026 01:06:12 +0000 https://yidingzhang.cargo.site en Index https://yidingzhang.cargo.site/Index Sat, 03 Jun 2023 22:59:31 +0000 Yiding Zhang https://yidingzhang.cargo.site/Index This website presents the practice-based component of a doctoral research project investigating the acoustic materiality of Brutalist architecture through impulse response, convolution reverb, and spatial sound practices. 1. Dark Adaptation <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/751e206d809acc87c216eb00e59c9fe3ea1b73f7724457fb69751ddce65598a2/239b5d54568ee81a71085112b578a527.jpg" data-mid="247469901" border="0" src="https://freight.cargo.site/w/1000/i/751e206d809acc87c216eb00e59c9fe3ea1b73f7724457fb69751ddce65598a2/239b5d54568ee81a71085112b578a527.jpg" /> <img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/2fa0a32c46a1a24547d36ed06c8e74489a49907a4d413a3c68870447b4dce8b9/IMG_1088.JPG" data-mid="244778202" border="0" src="https://freight.cargo.site/w/1000/i/2fa0a32c46a1a24547d36ed06c8e74489a49907a4d413a3c68870447b4dce8b9/IMG_1088.JPG" /> <img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/638f2a7e3fc0183db99230045e94bc34737da648ec50da27e2f2215b3c101bc3/IMG_1071.JPG" data-mid="244778197" border="0" src="https://freight.cargo.site/w/1000/i/638f2a7e3fc0183db99230045e94bc34737da648ec50da27e2f2215b3c101bc3/IMG_1071.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7680aee717a8b450f1e40db2317c5d62829af7a217e5aaf59040dd08d1d56847/e284114d0effdf005d0d7cc4e4651c0b.jpg" data-mid="247469913" border="0" src="https://freight.cargo.site/w/1000/i/7680aee717a8b450f1e40db2317c5d62829af7a217e5aaf59040dd08d1d56847/e284114d0effdf005d0d7cc4e4651c0b.jpg" /> 2. A Balloon for the Barbican:&nbsp;Politics of Listening in the City of LondonReenactment and reinterpretation of Davide Tidoni’s A Balloon for the Barbican: Politics of Listening in the City of London (2012) <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2ecabc0bdbbea2f7fcf716c98359e44600d66bc79d1db40dcc6e6efe21747dac/WechatIMG1801.jpg" data-mid="240095485" border="0" src="https://freight.cargo.site/w/1000/i/2ecabc0bdbbea2f7fcf716c98359e44600d66bc79d1db40dcc6e6efe21747dac/WechatIMG1801.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/705d185c957b26b7f1dd91c7d75ecb1e0956f36c27588eeaefff02578d69f609/WechatIMG1800.jpg" data-mid="240095484" border="0" src="https://freight.cargo.site/w/1000/i/705d185c957b26b7f1dd91c7d75ecb1e0956f36c27588eeaefff02578d69f609/WechatIMG1800.jpg" /> <img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/7c82330119a53faffe8d94311833a9a51ddf4b443678eebc57da886f9f5fa2a6/IMG_2410.jpg" data-mid="240095472" border="0" src="https://freight.cargo.site/w/1000/i/7c82330119a53faffe8d94311833a9a51ddf4b443678eebc57da886f9f5fa2a6/IMG_2410.jpg" /> <img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/30b73bb83728e53b8c9ab133518349c6f64e910d463f995cda266a5121476cc1/IMG_2407.jpg" data-mid="240095470" border="0" src="https://freight.cargo.site/w/1000/i/30b73bb83728e53b8c9ab133518349c6f64e910d463f995cda266a5121476cc1/IMG_2407.jpg" /> 3. I Am Sitting in a Room (Reinterpretation) Reinterpretation of Alvin Lucier’s I Am Sitting in a Room (1969) <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fe088b047fabce1037fbee522746178a2bcd9170989e0a811838505a9bd1256b/DJI_20250318_164653_010.JPG" data-mid="240052596" border="0" src="https://freight.cargo.site/w/1000/i/fe088b047fabce1037fbee522746178a2bcd9170989e0a811838505a9bd1256b/DJI_20250318_164653_010.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4d14077895f28a445a34a697d1664a74f81e5361355a381f36211a1c75748f44/DSC03108.JPG" data-mid="247539351" border="0" src="https://freight.cargo.site/w/1000/i/4d14077895f28a445a34a697d1664a74f81e5361355a381f36211a1c75748f44/DSC03108.JPG" /> <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/ede7d88443ba256a6771c305edf1ad7f24d9b75892687242a46db061db32ffe3/20251002_exhibition_Helen-014.jpg" data-mid="240052599" border="0" src="https://freight.cargo.site/w/1000/i/ede7d88443ba256a6771c305edf1ad7f24d9b75892687242a46db061db32ffe3/20251002_exhibition_Helen-014.jpg" /> 4. The Undiscoverable Shadows <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3864d76ec711d9a6329098db5d544e9b409723d27cbcc27c6dbf2ae43f9912ca/TDMovieOut.4.jpg" data-mid="238446551" border="0" src="https://freight.cargo.site/w/1000/i/3864d76ec711d9a6329098db5d544e9b409723d27cbcc27c6dbf2ae43f9912ca/TDMovieOut.4.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/63ec84ad26285a7e4140a2d8c6916760d32a60347187927b42af6b89514b25be/WechatIMG314.jpg" data-mid="238446541" border="0" src="https://freight.cargo.site/w/1000/i/63ec84ad26285a7e4140a2d8c6916760d32a60347187927b42af6b89514b25be/WechatIMG314.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fb1e15cbeec4f7349f2cfc85f3f9a9552bf90f0a681a60d9f61681b4813c9b84/TDMovieOut.0.jpg" data-mid="240095381" border="0" src="https://freight.cargo.site/w/1000/i/fb1e15cbeec4f7349f2cfc85f3f9a9552bf90f0a681a60d9f61681b4813c9b84/TDMovieOut.0.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3f8edd8fdd77756fe0d333f9911749d314154094ddcfbdd2b98ddf2b7b4ae9c0/TDMovieOut.10.jpg" data-mid="240095383" border="0" src="https://freight.cargo.site/w/1000/i/3f8edd8fdd77756fe0d333f9911749d314154094ddcfbdd2b98ddf2b7b4ae9c0/TDMovieOut.10.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/cc998dc99cda4a689215290d622f3036b0d9e07680d46173ccaf484f748eb616/TDMovieOut.6.jpg" data-mid="240095392" border="0" src="https://freight.cargo.site/w/1000/i/cc998dc99cda4a689215290d622f3036b0d9e07680d46173ccaf484f748eb616/TDMovieOut.6.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/fe4f1d1bc2255a3b280492f1827cf8e34dc27933290ed068ee9b4723be1461e3/TDMovieOut.1.jpg" data-mid="240095391" border="0" src="https://freight.cargo.site/w/1000/i/fe4f1d1bc2255a3b280492f1827cf8e34dc27933290ed068ee9b4723be1461e3/TDMovieOut.1.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/96202ebac61a6e74aab1b3ed17dd0857e0d5c389b7d70e4151c426b58a0440b4/TDMovieOut.9.jpg" data-mid="240095382" border="0" src="https://freight.cargo.site/w/1000/i/96202ebac61a6e74aab1b3ed17dd0857e0d5c389b7d70e4151c426b58a0440b4/TDMovieOut.9.jpg" /> 5. The Silent Resonance：Echoes of Authority <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ae04ffe08eb2504fa316493c438d1286339fe4e8b14a5b94e8c7578d9da136ea/The-Silent-ResonanceEchoes-of-Authority.jpg" data-mid="240095495" border="0" src="https://freight.cargo.site/w/1000/i/ae04ffe08eb2504fa316493c438d1286339fe4e8b14a5b94e8c7578d9da136ea/The-Silent-ResonanceEchoes-of-Authority.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4dbc2d7aaed1687b7b77bcc792ab2935aebf34b9ff9c9a15aa30c2ad4771c4f0/.png" data-mid="240095494" border="0" src="https://freight.cargo.site/w/1000/i/4dbc2d7aaed1687b7b77bcc792ab2935aebf34b9ff9c9a15aa30c2ad4771c4f0/.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/829d6dd0638d60e171deca7f73886292d5e538ee5a9f4ab7614a2dbef3396374/-2.png" data-mid="240095492" border="0" src="https://freight.cargo.site/w/1000/i/829d6dd0638d60e171deca7f73886292d5e538ee5a9f4ab7614a2dbef3396374/-2.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d43f78518bfcc57b11ebad1b4adac24656506754986fdfb1920c6abd251ed8c0/-3.png" data-mid="240095493" border="0" src="https://freight.cargo.site/w/1000/i/d43f78518bfcc57b11ebad1b4adac24656506754986fdfb1920c6abd251ed8c0/-3.png" /> 6. Easy In, Hard Out <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/9330140056032550e8b10780ccbd72ce52e5fddc9a5f54ae927762076d7b3c16/WechatIMG312.jpg" data-mid="238446531" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/9330140056032550e8b10780ccbd72ce52e5fddc9a5f54ae927762076d7b3c16/WechatIMG312.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f3354e965ad016f8fc35d32270e12f7bc4474f9a86bb38a81c751bca18f9b7fa/DSC02936.JPG" data-mid="240052606" border="0" src="https://freight.cargo.site/w/1000/i/f3354e965ad016f8fc35d32270e12f7bc4474f9a86bb38a81c751bca18f9b7fa/DSC02936.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/04d0890708664c21bd5aac7d39ce3689f508c08f7baae95d35411ed2afa5e4b2/DSC03070.JPG" data-mid="238446535" border="0" src="https://freight.cargo.site/w/1000/i/04d0890708664c21bd5aac7d39ce3689f508c08f7baae95d35411ed2afa5e4b2/DSC03070.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0eb2405c6a19d2ed77adcc09e7655911281f242307418698c0c642fcf182ac45/DSC02938.JPG" data-mid="238446536" border="0" src="https://freight.cargo.site/w/1000/i/0eb2405c6a19d2ed77adcc09e7655911281f242307418698c0c642fcf182ac45/DSC02938.JPG" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/bfaf3ad8eb83bb53e59063a6d3bc97b83e8d04a4b4ffda7b1501431280d159e0/DSC08487.jpg" data-mid="240052608" border="0" src="https://freight.cargo.site/w/1000/i/bfaf3ad8eb83bb53e59063a6d3bc97b83e8d04a4b4ffda7b1501431280d159e0/DSC08487.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2a1bdc956946ab51cf1b5d6fbfaf09c55947582ea2ddbb2704ad0b88216e14bc/DSC02937.JPG" data-mid="240052610" border="0" src="https://freight.cargo.site/w/1000/i/2a1bdc956946ab51cf1b5d6fbfaf09c55947582ea2ddbb2704ad0b88216e14bc/DSC02937.JPG" /> 7. Bouncing Policies: A Bouncing Response Without a Referee <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5f5b58588a0fae9552311afcb8b6179141e1f1a539e945e6699fd882dc855bf3/DSC03149.JPG" data-mid="238446319" border="0" src="https://freight.cargo.site/w/1000/i/5f5b58588a0fae9552311afcb8b6179141e1f1a539e945e6699fd882dc855bf3/DSC03149.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d2a5a37fa62d982732bc69a2b9188d486e449219a5491238c6554c0c2b233138/DSC02945.JPG" data-mid="238446545" border="0" src="https://freight.cargo.site/w/1000/i/d2a5a37fa62d982732bc69a2b9188d486e449219a5491238c6554c0c2b233138/DSC02945.JPG" /> <img width="5957" height="3971" width_o="5957" height_o="3971" data-src="https://freight.cargo.site/t/original/i/3040bcc16c159cf76137e2bd29bacd1609ffeeade9da1a57e523384a6c2ce39a/-2025183--91--68-cm--Ramp--3.jpg" data-mid="240052602" border="0" src="https://freight.cargo.site/w/1000/i/3040bcc16c159cf76137e2bd29bacd1609ffeeade9da1a57e523384a6c2ce39a/-2025183--91--68-cm--Ramp--3.jpg" /> <img width="4032" height="2688" width_o="4032" height_o="2688" data-src="https://freight.cargo.site/t/original/i/19dc9a630e823330f9af06997cadd7e468a97e648c4b6611c027500635fe727f/DSC02951.jpg" data-mid="238446544" border="0" src="https://freight.cargo.site/w/1000/i/19dc9a630e823330f9af06997cadd7e468a97e648c4b6611c027500635fe727f/DSC02951.jpg" /> <img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/552fcbc55c3f7874649e62277f0e570c555c3656f4e33fe95f670c743f454326/-2025183--91--68-cm--Ramp--6.jpg" data-mid="240052616" border="0" src="https://freight.cargo.site/w/1000/i/552fcbc55c3f7874649e62277f0e570c555c3656f4e33fe95f670c743f454326/-2025183--91--68-cm--Ramp--6.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/ba0329afd792b18acdec4cb10d75d40e0e901a496d300ee0344e88485d09c63e/-2025183--91--68-cm--Ramp--4.jpg" data-mid="240052603" border="0" src="https://freight.cargo.site/w/1000/i/ba0329afd792b18acdec4cb10d75d40e0e901a496d300ee0344e88485d09c63e/-2025183--91--68-cm--Ramp--4.jpg" /> About https://yidingzhang.cargo.site/About Sat, 03 Jun 2023 22:59:32 +0000 Yiding Zhang https://yidingzhang.cargo.site/About Yiding Zhang was born in China and now active in Wuhan/London, he is a cross-media artist and independent musician specializing in sound installation and audiovisual performance.&nbsp; His art practice is deeply rooted in postmodern society, delves into human emotions through the lens of digital-age media. &nbsp; Currently, Yiding’s work is focused on exploring urban acoustic spaces, particularly through the prism of Brutalist architecture, employing techniques of musique concrète. 张一丁出⽣于中国湖北武汉，跨媒体艺术家和独立音乐人，现活跃于武汉/伦敦，专注于声音装置创作和视听表演。他的艺术实践深深植根于后现代社会，通过数字时代媒体的镜头深入探究人类的情感。目前，他的工作重点是探索城市声学空间，通过粗野主义的棱镜，运用声音拼贴，田野录音、多轨磁带和模块合成器，重新诠释声音、空间和城市景观之间的互动和新的视角。 Education&nbsp;教育经历 2022 — 2026 Wales Institute of Science and Art, University of Wales Trinity Saint David, Doctorate of Art &amp; Design 威尔士科学与艺术学院，英国威尔士三一圣大卫大学，艺术与设计博士 2018 — 2020 Brooklyn College, The City University of New York, MFA Sonic Arts 布鲁克林学院，纽约城市⼤学，声⾳艺术，硕⼠ 2016 — 2017 Chelsea College of Arts, University of Arts London, MA Fine Arts 切尔⻄艺术学院，伦敦艺术⼤学，纯艺术，硕⼠ 2015 — 2018 Hubei Institute of Fine Arts，Oil Painting 湖北美术学院，当代艺术研究（油画），硕⼠ 2010 — 2014 Hubei Institute of Fine Arts，Oil Painting 湖北美术学院,&nbsp; 油画，本科 Selected Exhibitions 展览经历 2025 “Threshold of the Future”: The First Experimental Art Exhibition, Hubei Institute of Fine Arts Museum, Wuhan, China 未来之阈——首届实验艺术展，湖北美术学院美术馆，武汉，中国“Chinese Pose”: China Sculpture exhibition, Hubei Art Museum, Wuhan, China 中国姿态 · 第七届中国雕塑展，湖北美术馆，武汉，中国 “Dark Adaptation”: Exhibition of Yiding Zhang’s work, Tanghu Art Museum, Wuhan, China The Grammar of Noise: The Sampling Everyday, Ramp D4-4, Bejing, China 噪音语法：日常声音采样，Ramp坡，北京，中国 “Tempolumen Rhythmos”,&nbsp;The handbag factory, London, UK “Tempolumen Rhythmos”：时空中的变奏, The handbag factory，伦敦，英国 “East 2046” Art Festival, Vauxhall Fire, &nbsp;London, UK “东方2046“ 科技艺术节, Vuaxhall Fire，伦敦，英国 “Bit Rot” ，Copeland Gallery, &nbsp;London, UK “字节的腐烂”， Copeland 画廊， 伦敦，英国 "茧" (Cocoon) — Dual Exhibition (with Xu Yan) &nbsp;United Art Museum, Wuhan, China 茧 —— 双个展（与徐衍）合美术馆，武汉，中国 2024 Tonight, I fly to the distance earth —— Star Art Space, Wuhan, China 《今夜我飞向遥远的地球》 —— 群星城 &amp;星艺术空间，武汉，中国 “Sound field folding” —— Hundred Years Gallery, London, UK “声场折叠” —— 百年画廊，伦敦，英国 Underground and Contemporary Shelters —— Beijing, China 地下与当代庇护所 —— 公园艺术空间，北京，中国 2023 UN.FORGETTABLE —— Yellow Cube Gallery, Paris, France UN.FORGETTABLE —— 黄盒子画廊，巴黎，法国 Outside of Boxes, Youpin Art Space, Wuhan, China 盒子之外 —— 佑品空间，武汉，中国 “Floating” Contemporary Art Exhibition, The Bomb Factory, London, UK “Floating” 当代艺术展 —— The Bomb Factory画廊， 伦敦，英国 2022 “Eliminate” —— dong X 3, Wuhan，China “消弭” —— 洞洞洞，武汉，中国 New Youth —— The 4th College Experimental Art Literature Exhibition&nbsp;——&nbsp;Tao Xi Chuan Art Museum, Jingdezhen，China 新青年 —— 第四届实验艺术文献展，陶溪川美术馆，景德镇，中国 2021 "In Wuhan" Young Artists Invitational Exhibition —— Tanghu Art Museum, Wuhan “在武汉” —— 青年艺术家邀请展，汤湖美术馆，武汉，中国 Research Exhibition: Curatorial Proposal Shortlisted Exhibition —— Beijing OCAT&nbsp; Research Center, Beijing研究型展览：策展方案工作坊，北京OCAT 研究中心，北京，中国 The Invisible Sounds, P8 Planet Summer Art Residency —— Museum of Waste, Changsha“隐形的声音”， 长沙P8星球夏季驻留项目，无用美术馆，长沙，中国 Art 11 Prize 2020 ——&nbsp;The first K11 Young Art Creation Award, K11 Art Village, Wuhan 首届K11 新锐艺术创作奖，K11艺术村，武汉，中国 2020 Local Soundscape —— Sound Geography of Suzhou, Hanshan Art Museum, Suzhou 《地方音景》 —— 苏州的声音地理，寒山美术馆，苏州，中国 2019 "Coordinate Transformation" —— Visible Gallery, Beijing “坐标变换”，可见画廊，北京，中国 “WHEN BLACK SWALLOWS RED” —— LA GALLERIA, New York , USA “WHEN BLACK SWALLOWS RED”，&nbsp;LA GALLERIA，纽约，美国 “IMAGINED COMMUNITIES” —— THE CRYPT GALLERY,&nbsp; London, UK “想象的群体”，THE CRYPT GALLERY，伦敦，英国 2018 "Media Migration” —— The 2nd China Hechuan Fishing City International New Media Art Festival, Chongqing “媒体的迁徙”，第二届河川钓鱼城国际新媒体艺术节，重庆，中国 2017 "Inter-youth" Youth Painting Exhibition, China Academy of Art, Hangzhou "Inter-youth" 青年绘画邀请展，中国美术学院，杭州，中国 Group exhibition of Emerging artists in London —— Sunny Art Centre, London, UK伦敦新锐艺术家群展，Sunny Art艺术中心，伦敦，英国 2016 Lab Box —— Tokyo Sound Project YYYY-S, Japan Lab Box —— 声音东京，YYYY盒子空间，东京，日本 2014 "Journey of a Thousand Miles" ——&nbsp;Excellent&nbsp;Graduation&nbsp;Exhibition&nbsp;of&nbsp;Undergraduate Works，Hubei Institute of Fine Arts Art Museum, Wuhan 《千里之行》 —— 中国重点美术院校优秀毕业展，湖北美术学院美术馆，武汉，中国 Awards 奖项 The Lost Vision ——&nbsp;2025 London Contemporary Art Review Exhibition, Bronze Award 遗失的视界 —— 2025 伦敦当代艺术评审展，铜奖 Art 11 Prize —— The 1st K11 Young Art Creation Award, recommended by judges 首届K11 新锐艺术创作奖，评委特别推荐奖 “Inter-youth” —— International Youth Painting Exhibition of China Academy of Art, Theme Prize "Inter-youth" 国际青年绘画邀请展，主题奖 Dark Adaptation 暗适应 https://yidingzhang.cargo.site/Dark-Adaptation Fri, 13 Feb 2026 01:06:12 +0000 Yiding Zhang https://yidingzhang.cargo.site/Dark-Adaptation Dark Adaptation &nbsp;暗适应 8-channel spatial sound installation This work contributes to the doctoral research by examining how spatial perception unfolds through gradual sonic emergence, positioning listening as a temporal and embodied process rather than an instantaneous event. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/751e206d809acc87c216eb00e59c9fe3ea1b73f7724457fb69751ddce65598a2/239b5d54568ee81a71085112b578a527.jpg" data-mid="247512125" border="0" src="https://freight.cargo.site/w/1000/i/751e206d809acc87c216eb00e59c9fe3ea1b73f7724457fb69751ddce65598a2/239b5d54568ee81a71085112b578a527.jpg" /> Dark Adaptation is an 8-channel spatial sound installation developed from the artist’s ongoing research into sound, space, and perception. The title “dark adaptation” refers to a physiological process in which the eyes gradually adjust to low-light conditions. In this work, the concept is extended beyond vision to describe a mode of auditory and embodied perception, in which sound slowly emerges over time and invites the listener to recalibrate their relationship to space. Documentation:&nbsp;[Watch video]<img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/638f2a7e3fc0183db99230045e94bc34737da648ec50da27e2f2215b3c101bc3/IMG_1071.JPG" data-mid="244777775" border="0" src="https://freight.cargo.site/w/1000/i/638f2a7e3fc0183db99230045e94bc34737da648ec50da27e2f2215b3c101bc3/IMG_1071.JPG" /> <img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/2fa0a32c46a1a24547d36ed06c8e74489a49907a4d413a3c68870447b4dce8b9/IMG_1088.JPG" data-mid="244777777" border="0" src="https://freight.cargo.site/w/1000/i/2fa0a32c46a1a24547d36ed06c8e74489a49907a4d413a3c68870447b4dce8b9/IMG_1088.JPG" />Designed for circular or semi-circular exhibition environments, the installation employs eight loudspeakers arranged around the listener to create a non-directional, non-narrative sound field. Rather than following defined trajectories or events, sound unfolds gradually through appearance, recession, and recomposition, emphasizing proximity, resonance, and the spatial scale of listening. The sonic material is based on field recordings collected over the past three years in various locations across London, with a particular focus on Brutalist architectural spaces. These recordings include concrete reverberations, subtle material vibrations, underground transport systems, crowds, and ambient urban noise. Through spatial processing, the sounds are detached from their original geographical and narrative contexts and transformed into abstract acoustic traces.<img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/daca7e002eb4ce8b15b2905b07e55264e847239ec7e05810e2ca10f77a0c1f9a/IMG_1051.JPG" data-mid="244777776" border="0" src="https://freight.cargo.site/w/1000/i/daca7e002eb4ce8b15b2905b07e55264e847239ec7e05810e2ca10f77a0c1f9a/IMG_1051.JPG" /> This approach extends the use of impulse response and spatial processing beyond technical reproduction, treating recorded sound as material that can be abstracted, displaced, and reconfigured across different spatial contexts. <img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/1463280d9249bfde345a0ae308b00ba2184edc0864bfca3b4c2d41b023b3263b/IMG_1075.JPG" data-mid="244777774" border="0" src="https://freight.cargo.site/w/1000/i/1463280d9249bfde345a0ae308b00ba2184edc0864bfca3b4c2d41b023b3263b/IMG_1075.JPG" />In Dark Adaptation, sound is not presented as an object to be listened to, but as an atmospheric condition that continuously inhabits the space. Visitors are invited to remain, move, and gradually adapt to the evolving sound field, shifting perception from attentive listening toward a more embodied awareness of space. In this sense, the work contributes to the research by demonstrating how sound can opearte as an active spatial agent, shaping perceptual and architectural experience over time.<img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/a7235bd2e3cdd9fde89f06fc8eeef9e9b3c5b2249ee4e41f94646f45915d987d/IMG_0445.JPG" data-mid="244778172" border="0" src="https://freight.cargo.site/w/1000/i/a7235bd2e3cdd9fde89f06fc8eeef9e9b3c5b2249ee4e41f94646f45915d987d/IMG_0445.JPG" /><img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/5aacac81b7a97362e977b9eb9c66a0f8a80b5cb8dbb29230d9240511cd392dfd/IMG_0450.JPG" data-mid="244778173" border="0" src="https://freight.cargo.site/w/1000/i/5aacac81b7a97362e977b9eb9c66a0f8a80b5cb8dbb29230d9240511cd392dfd/IMG_0450.JPG" /> Silent Resonance https://yidingzhang.cargo.site/Silent-Resonance Fri, 31 Oct 2025 00:40:52 +0000 Yiding Zhang https://yidingzhang.cargo.site/Silent-Resonance Silent Resonance: Echoes of Authority The Silent Resonance: Echoes of Authority is a video work that combines visual and auditory experience, As the introduction to the project "A Balloon for the Barbican - Politics of Listening in the City of London", through an in-depth exploration of the spatial environment of the Barbican Centre, It reveals the complex relationship between the unique aesthetics of brutalist architecture and the acoustic space.This work contributes to the doctoral research by examining how sound operates within systems of spatial control and regulation, revealing the political dimensions embedded in the acoustic environments of Brutalist architecture.Documentation: &nbsp;[Watch video] <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ae04ffe08eb2504fa316493c438d1286339fe4e8b14a5b94e8c7578d9da136ea/The-Silent-ResonanceEchoes-of-Authority.jpg" data-mid="240096440" border="0" src="https://freight.cargo.site/w/1000/i/ae04ffe08eb2504fa316493c438d1286339fe4e8b14a5b94e8c7578d9da136ea/The-Silent-ResonanceEchoes-of-Authority.jpg" /><img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/829d6dd0638d60e171deca7f73886292d5e538ee5a9f4ab7614a2dbef3396374/-2.png" data-mid="240096441" border="0" src="https://freight.cargo.site/w/1000/i/829d6dd0638d60e171deca7f73886292d5e538ee5a9f4ab7614a2dbef3396374/-2.png" />The visual elements in the image include the Barbican pool, the surface of the building and its natural environment inside, which together form a symbolic spatial landscape. Through the modular synthesizer, I created reverberations and illusory auditory effects in the sound part, trying to capture and express a feeling similar to auditory hallucinations. By combining visual and sonic manipulation, the work reframes architectural space as a perceptual construct shaped not only by physical structure but also by mediated and imagined acoustic experiences. <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4dbc2d7aaed1687b7b77bcc792ab2935aebf34b9ff9c9a15aa30c2ad4771c4f0/.png" data-mid="240096442" border="0" src="https://freight.cargo.site/w/1000/i/4dbc2d7aaed1687b7b77bcc792ab2935aebf34b9ff9c9a15aa30c2ad4771c4f0/.png" /> Through the interweaving of audio-visual language, the work invites the audience to revisit the iconic Barbican and explore the hidden and profound interaction between architecture and sound. The Barbican Centre is not only important milestone in the history of architecture, but also a site where sonic regulation and spatial control become perceptible.In this sense, the work contributes to the research by demonstrating how listening can reveal the intersection of architecture, perception, and power within urban space. <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d43f78518bfcc57b11ebad1b4adac24656506754986fdfb1920c6abd251ed8c0/-3.png" data-mid="240096443" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d43f78518bfcc57b11ebad1b4adac24656506754986fdfb1920c6abd251ed8c0/-3.png" /> A Balloon for the Barbican：Politics of Listening in the City of London https://yidingzhang.cargo.site/A-Balloon-for-the-Barbican-Politics-of-Listening-in-the-City-of-London Thu, 30 Oct 2025 23:10:04 +0000 Yiding Zhang https://yidingzhang.cargo.site/A-Balloon-for-the-Barbican-Politics-of-Listening-in-the-City-of-London A Balloon for the Barbican：Politics of Listening in the City of LondonReenactment and reinterpretation of Davide Tidoni’s A Balloon for the Barbican: Politics of Listening in the City of London (2012) This work is part of a study of the acoustic space/political aesthetics of Brutalist architecture in London and is based on Davide Tidoni's work "A Balloon for the Barbican: Politics of Listening in the City of London (A Balloon for the Barbican) "as a play, recreated and restored on the basis of images. It is a re-creation and reinterpretation based on Davide Tidoni’s 2012 piece A Balloon for the Barbican: Politics of Listening in the City of London, originally presented at the Barbican Art Gallery as part of the OMA/Progress group exhibition. Rather than simply replicating Tidoni’s experiment, the work investigates how sound shapes our perception of architectural space. By visually re-enacting the moment a balloon bursts and capturing the resonance of its echo within a Brutalist environment, this work contributes to the doctoral research by employing reenactment as a methodological approach, through which historical sound practices are reactivated to investigate contemporary spatial listening conditions.&nbsp;Documentation: Scene 1 — [Watch video]Scene 2 — [Watch video] <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/705d185c957b26b7f1dd91c7d75ecb1e0956f36c27588eeaefff02578d69f609/WechatIMG1800.jpg" data-mid="240095567" border="0" src="https://freight.cargo.site/w/1000/i/705d185c957b26b7f1dd91c7d75ecb1e0956f36c27588eeaefff02578d69f609/WechatIMG1800.jpg" /> In particular, the act of balloon bursting in Tidoni’s original work becomes a critical reference point for the development of the research methodology, anticipating the use of impulse response recording, where a short, percussive sound is used to reveal the acoustic characteristics of architectural space.<img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2ecabc0bdbbea2f7fcf716c98359e44600d66bc79d1db40dcc6e6efe21747dac/WechatIMG1801.jpg" data-mid="240096404" border="0" src="https://freight.cargo.site/w/1000/i/2ecabc0bdbbea2f7fcf716c98359e44600d66bc79d1db40dcc6e6efe21747dac/WechatIMG1801.jpg" />This methodological transition later informed the use of convolution reverb and impulse response recording throughout the doctoral research. <img width="5712" height="3213" width_o="5712" height_o="3213" data-src="https://freight.cargo.site/t/original/i/07c5df275ab1ae1aeb0192b33b6435309c7c990f4628b9cf23a5efefeb11398e/Yiding-Zhang-Silent-Resonance-Echoes_of_Authority-1.JPG" data-mid="240096407" border="0" src="https://freight.cargo.site/w/1000/i/07c5df275ab1ae1aeb0192b33b6435309c7c990f4628b9cf23a5efefeb11398e/Yiding-Zhang-Silent-Resonance-Echoes_of_Authority-1.JPG" /><img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/7c82330119a53faffe8d94311833a9a51ddf4b443678eebc57da886f9f5fa2a6/IMG_2410.jpg" data-mid="240096409" border="0" src="https://freight.cargo.site/w/1000/i/7c82330119a53faffe8d94311833a9a51ddf4b443678eebc57da886f9f5fa2a6/IMG_2410.jpg" /><img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/30b73bb83728e53b8c9ab133518349c6f64e910d463f995cda266a5121476cc1/IMG_2407.jpg" data-mid="240096410" border="0" src="https://freight.cargo.site/w/1000/i/30b73bb83728e53b8c9ab133518349c6f64e910d463f995cda266a5121476cc1/IMG_2407.jpg" /> The Undiscoverable Shadow https://yidingzhang.cargo.site/The-Undiscoverable-Shadow Sat, 20 Sep 2025 02:41:46 +0000 Yiding Zhang https://yidingzhang.cargo.site/The-Undiscoverable-Shadow The Undiscoverable Shadow&nbsp; "The Undiscoverable Shadow" is an artistic investigation and experience of the artist during his stay in Serbia in 2023, in which the artist's personal thoughts on geopolitics, soundscape and Brutalist architecture are presented.The light boxes displayed in the space are based on images of Brutalist architecture, eventually evolving through a combination of artificial intelligence and algorithms. The images experienced the pursuit of the former communist shadows of reality, and the artist further generated and evolved the base material of the shoot through AI images. During the one-week stay in Belgrade, with sound data and records as the main line, through the records of former communist/Brutalist architecture in Belgrade and daily observation of urban space, the reflection of Chinese identity in the geopolitics of East and West will be demonstrated, and this experience will also be used as the starting point for the research in the current Dprof program. Documentation:&nbsp;[Watch video] <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3864d76ec711d9a6329098db5d544e9b409723d27cbcc27c6dbf2ae43f9912ca/TDMovieOut.4.jpg" data-mid="238446480" border="0" src="https://freight.cargo.site/w/1000/i/3864d76ec711d9a6329098db5d544e9b409723d27cbcc27c6dbf2ae43f9912ca/TDMovieOut.4.jpg" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/28030755bbe0de404f496ac7fb2d5d17e56b7cc4ae6046a93ce86ae49a0fb91c/DJI_20250318_162705_772.JPG" data-mid="238446484" border="0" src="https://freight.cargo.site/w/1000/i/28030755bbe0de404f496ac7fb2d5d17e56b7cc4ae6046a93ce86ae49a0fb91c/DJI_20250318_162705_772.JPG" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c55be53d2fb234ab38c50e4ad79d924f06f15d0dad6e1c072510642b2286cda8/DJI_20250318_162531_932.JPG" data-mid="238446483" border="0" src="https://freight.cargo.site/w/1000/i/c55be53d2fb234ab38c50e4ad79d924f06f15d0dad6e1c072510642b2286cda8/DJI_20250318_162531_932.JPG" /><img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c7db50fd2183bcba9d63c319de7974cd85c0d4b3dcca6cb6b79ddc62312dca01/DJI_20250318_162648_070.JPG" data-mid="238446485" border="0" src="https://freight.cargo.site/w/1000/i/c7db50fd2183bcba9d63c319de7974cd85c0d4b3dcca6cb6b79ddc62312dca01/DJI_20250318_162648_070.JPG" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/63ec84ad26285a7e4140a2d8c6916760d32a60347187927b42af6b89514b25be/WechatIMG314.jpg" data-mid="238446481" border="0" src="https://freight.cargo.site/w/1000/i/63ec84ad26285a7e4140a2d8c6916760d32a60347187927b42af6b89514b25be/WechatIMG314.jpg" /> I Am Sitting in a Room https://yidingzhang.cargo.site/I-Am-Sitting-in-a-Room Sat, 20 Sep 2025 02:11:18 +0000 Yiding Zhang https://yidingzhang.cargo.site/I-Am-Sitting-in-a-Room I Am Sitting in a Room&nbsp;Reinterpretation of Alvin Lucier’s I Am Sitting in a Room (1969) <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/647d942fc73b869de314b440729af9f99a6b233c5b1f273239b0ca3444159c51/DJI_20250318_164645_168.JPG" data-mid="238446470" border="0" src="https://freight.cargo.site/w/1000/i/647d942fc73b869de314b440729af9f99a6b233c5b1f273239b0ca3444159c51/DJI_20250318_164645_168.JPG" /> Audio Reconstruction: [SoundCloud] I Am Sitting in a Room (Reinterpretation) extends the doctoral research through an iterative acoustic process, in which recorded sound is repeatedly re-amplified and re-recorded within a space. The work reconfigures Alvin Lucier’s original experiment as a methodological framework for examining how spatial resonance accumulates and transforms over time.<img width="1324" height="1006" width_o="1324" height_o="1006" data-src="https://freight.cargo.site/t/original/i/fb710714f973907a38e5b716816198e9e3e66e4c6ab012998aa8d4ed9343ab44/c55d12bd2b4550d2b5aecb5271bef678.png" data-mid="247538970" border="0" src="https://freight.cargo.site/w/1000/i/fb710714f973907a38e5b716816198e9e3e66e4c6ab012998aa8d4ed9343ab44/c55d12bd2b4550d2b5aecb5271bef678.png" /> Through this iterative process, the work parallels the logic of convolution and impulse response, revealing how acoustic characteristics are not only captured but progressively reinforced and restructured. In this sense, resonance is understood not as a static property, but as a temporal process shaped through repetition, feedback, and material conditions. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4d14077895f28a445a34a697d1664a74f81e5361355a381f36211a1c75748f44/DSC03108.JPG" data-mid="238446472" border="0" src="https://freight.cargo.site/w/1000/i/4d14077895f28a445a34a697d1664a74f81e5361355a381f36211a1c75748f44/DSC03108.JPG" /> This process positions listening as an active engagement with spatial transformation, where the listener perceives not only sound, but the gradual emergence of the space itself as an acoustic structure.<img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/02f0d53f257309f9df2602a85497cd71c2d473b253a255667734606d7abbf398/WechatIMG343.jpg" data-mid="238446473" border="0" src="https://freight.cargo.site/w/1000/i/02f0d53f257309f9df2602a85497cd71c2d473b253a255667734606d7abbf398/WechatIMG343.jpg" /> Bouncing Policies https://yidingzhang.cargo.site/Bouncing-Policies Sat, 20 Sep 2025 01:20:09 +0000 Yiding Zhang https://yidingzhang.cargo.site/Bouncing-Policies Bouncing Policies:&nbsp;A Bouncing Response Without a Referee Documentation:&nbsp; [Watch video] <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5f5b58588a0fae9552311afcb8b6179141e1f1a539e945e6699fd882dc855bf3/DSC03149.JPG" data-mid="238446113" border="0" src="https://freight.cargo.site/w/1000/i/5f5b58588a0fae9552311afcb8b6179141e1f1a539e945e6699fd882dc855bf3/DSC03149.JPG" /> <img width="4032" height="2688" width_o="4032" height_o="2688" data-src="https://freight.cargo.site/t/original/i/19dc9a630e823330f9af06997cadd7e468a97e648c4b6611c027500635fe727f/DSC02951.jpg" data-mid="238446115" border="0" src="https://freight.cargo.site/w/1000/i/19dc9a630e823330f9af06997cadd7e468a97e648c4b6611c027500635fe727f/DSC02951.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d2a5a37fa62d982732bc69a2b9188d486e449219a5491238c6554c0c2b233138/DSC02945.JPG" data-mid="238446117" border="0" src="https://freight.cargo.site/w/1000/i/d2a5a37fa62d982732bc69a2b9188d486e449219a5491238c6554c0c2b233138/DSC02945.JPG" />The Ping-Pong, sensors and sound system from daily life have constructed a continuously operating structure: The ball keeps bouncing on the table, and each collision triggers a sound response. There is no referee, no clear starting point, and no win or loss in this system; only a continuous trajectory and reverberation. The initial inspiration came from my long-term interest in "interaction mechanisms", which inspired my thinking about the transformation of everyday objects. At the same time, it is a certain familiar yet uncontrollable state: we think we are expressing, but in fact we are responding; We seem to be in control, but in fact we are guided by the path. It is not a competition, but a continuous interactive practice. Easy In, Hard Out https://yidingzhang.cargo.site/Easy-In-Hard-Out Sat, 03 Jun 2023 22:59:33 +0000 Yiding Zhang https://yidingzhang.cargo.site/Easy-In-Hard-Out Easy In, Hard Out&nbsp; Documentation: [Watch video] <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/bfb5c24a1f794de00161dbe2de600ee29a8eca77d5999e92c922ef605847b2aa/DSC02934.JPG" data-mid="238446513" border="0" src="https://freight.cargo.site/w/1000/i/bfb5c24a1f794de00161dbe2de600ee29a8eca77d5999e92c922ef605847b2aa/DSC02934.JPG" /> “Easy In, Hard Out” was conceived in response to the most stringent period of pandemic lockdowns, when people were surrounded by a barrage of “orders” and “prohibitions”: roadblocks, warning signs, traffic control systems—barriers that became nearly insurmountable. The artist reassembled these symbols of order and safety—traffic signs, barricades, and lockdown barriers—into a chaotic and nearly enclosed installation space. Visitors stepping into the work may experience the sensation of being “easy to enter, hard to exit”: encircled by visual emblems of strict control, yet able to trigger a series of sounds—car horns, broadcast commands, and lockdown announcements—by touching conductive materials connected to MIDI controllers. These interactions evoke memories of that specific and restrictive moment in time. <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/9330140056032550e8b10780ccbd72ce52e5fddc9a5f54ae927762076d7b3c16/WechatIMG312.jpg" data-mid="238446512" border="0" src="https://freight.cargo.site/w/1000/i/9330140056032550e8b10780ccbd72ce52e5fddc9a5f54ae927762076d7b3c16/WechatIMG312.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/04d0890708664c21bd5aac7d39ce3689f508c08f7baae95d35411ed2afa5e4b2/DSC03070.JPG" data-mid="238446516" border="0" src="https://freight.cargo.site/w/1000/i/04d0890708664c21bd5aac7d39ce3689f508c08f7baae95d35411ed2afa5e4b2/DSC03070.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0eb2405c6a19d2ed77adcc09e7655911281f242307418698c0c642fcf182ac45/DSC02938.JPG" data-mid="238446515" border="0" src="https://freight.cargo.site/w/1000/i/0eb2405c6a19d2ed77adcc09e7655911281f242307418698c0c642fcf182ac45/DSC02938.JPG" /> This tactile and sonic engagement renders the otherwise cold and impersonal instruments of control palpable and audible. As viewers move through the installation and touch signs or barriers, the resulting horns and orders continuously echo the tensions and helplessness experienced under the shadow of rigid systems. The work questions the absoluteness of authority and control, revealing the contradictions and struggles individuals face when subjected to extreme social conditions. By integrating bodily presence and auditory experience, the installation invites the audience not only to see the boundaries of imposed rules but also to hear the soundscape of a historical moment—prompting reflection on the fragile dynamics between power, freedom, and the individual. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0eca5fee83c517825b6aac5320641bc68eb91a5670f648399a2776a4a4e03056/_20250323173616.jpg" data-mid="238446514" border="0" src="https://freight.cargo.site/w/1000/i/0eca5fee83c517825b6aac5320641bc68eb91a5670f648399a2776a4a4e03056/_20250323173616.jpg" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/da8b57de1ce94ff7bc99e30c46a2c0c61249abfda42c86c2529ad0610785669e/DSC08565.jpg" data-mid="180909850" border="0" src="https://freight.cargo.site/w/1000/i/da8b57de1ce94ff7bc99e30c46a2c0c61249abfda42c86c2529ad0610785669e/DSC08565.jpg" /> 24–09–2024 消 弭 Eliminate https://yidingzhang.cargo.site/Eliminate Sat, 03 Jun 2023 22:59:32 +0000 Yiding Zhang https://yidingzhang.cargo.site/Eliminate 消 弭 Eliminate “消弭”在汉语词汇中，原本指清除、消除某些不好的事情，语出《后汉书·文苑传下·赵壹》：“以贵下贱， 握发垂接，高可敷翫坟典，起发圣意，下则抗论当世，消弭时灾。” "Eliminate" in the Chinese vocabulary, originally refers to the removal and elimination of some bad things, the language of the book of the later Han Dynasty · Wenyuan handed down · Zhao Yi: “to be cheap, hold the hair hanging, high can be applied to the tomb book, the holy will, the next is to fight against the current world, eliminate the disaster." <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d48ae19a49ef9da9026816456c0d286dadb2870fe83f42591bca4efda153414e/IMG_2584.jpg" data-mid="180908409" border="0" src="https://freight.cargo.site/w/1000/i/d48ae19a49ef9da9026816456c0d286dadb2870fe83f42591bca4efda153414e/IMG_2584.jpg" /> <img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/ebf7b7763a47d2c320c8ccddd016d06f58d1bf5125135895eb81b28a960e69f4/FullSizeRender-25.jpeg" data-mid="180908418" border="0" src="https://freight.cargo.site/w/1000/i/ebf7b7763a47d2c320c8ccddd016d06f58d1bf5125135895eb81b28a960e69f4/FullSizeRender-25.jpeg" />空间内呈现三件没有固定名称的作品，它们既相互独立又彼此呼应，构成一种整体且安静的力 与场，它们在这样足够“安全”的声音空间中被“顺从”地以有声或无声的形式进行展示。在空间中央的枪 型指向观鸟器试图以更加“隐蔽”的方式来向观众传递在当下某些时刻中消极的、不被主动听见的声音，对 空间附近的另外两件影像在视觉与听觉语言上的混搭、分离与错位进行了某些必要的补充，也是艺术家在近 期艺术实践中对生活与社会事件的一次消极式的、自我反省式的思考。 This exhibition will present three works without fixed names in the space, they are independent and echo each other, constitute a whole and quiet force and field, they are "obedient" in such a "safe" sound space in the form of sound or silent display. The gun-shaped bird watcher in the center of the space tries to convey to the audience in a more "hidden" way the negative and not actively heard sounds in some moments of the present, which makes some necessary supplement to the mixing, separation and dislocation of the other two images near the space in visual and auditory language. It is also a negative and self-reflective reflection on life and social events in the artist's recent art practice. <img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/9c5ab9944078898798f0b465f731564846b103fc0a7e5746a1ffeeb666ce212a/FullSizeRender-21.jpeg" data-mid="180908425" border="0" src="https://freight.cargo.site/w/1000/i/9c5ab9944078898798f0b465f731564846b103fc0a7e5746a1ffeeb666ce212a/FullSizeRender-21.jpeg" /><img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/c3a438a0e46b390311ddb12f92b6b7c31551aa4e961fadbe02938c2cd54494f8/FullSizeRender-9.jpeg" data-mid="180908436" border="0" src="https://freight.cargo.site/w/1000/i/c3a438a0e46b390311ddb12f92b6b7c31551aa4e961fadbe02938c2cd54494f8/FullSizeRender-9.jpeg" /><img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/6095fb8721e17ac14f46d308e941ae5a119a66480badc2204d871f39e1af9599/FullSizeRender-13.jpeg" data-mid="180908564" border="0" src="https://freight.cargo.site/w/1000/i/6095fb8721e17ac14f46d308e941ae5a119a66480badc2204d871f39e1af9599/FullSizeRender-13.jpeg" />在此次&lt;消弭 Eliminate&gt;个人项目中，艺术家打造了一个近乎完美的、几乎不受任何多余声音干扰的“录 音室”:整块空间均采用音乐工程上处理空间和声学关系的吸音棉打造而成，建立了一个看似(听似)“矛盾”的空间，即一个对任何可以发声、能够发声的物体都不太“友好”的空间。在传统声学空间设计 中，包裹四周的吸音棉不仅旨在吸收多余声音干扰，更起到集中、聚集主要发声体的作用，并在一定程度 上隔绝、消除某些不好的声音。 &nbsp; In this Eliminate project, the artist has created a nearly perfect, almost without any excess noise interference "studio" : the whole space adopts music engineering on the treatment of space and the relationship between acoustic sound-absorbing cotton make and become, established a seemingly (sound) "contradiction" of space, that is, a of any object can speak, can speak less "friendly" space. In the traditional acoustic space design, the sound absorbing cotton wrapped around is not only designed to absorb the excess sound interference, but also to concentrate and gather the main sound body, and to isolate and eliminate some bad sounds to a certain extent.